GREATER NYC AREA: This month’s buzz finds a typically colorful spread of artists recording, mixing and mastering new works around town. The Beach Boys and Animal Collective, Empire of the Sun and Tiësto, Kurt Elling, Beirut, 50 Cent and Amanda Palmer – just to mention a few – have all been working on new releases in NYC-area studios. Which producers and engineers have been tracking, mixing and mastering these projects? And where? Read on…
First up, Grammy-winning jazz singer and songwriter Kurt Elling tracked his latest album for Concord Music Group at Sear Sound on the custom Avalon/Sear 60-input console in Studio C. Producer and Concord senior director A&R Chris Dunn produced with engineer Chris Allen at the controls. Elling’s band on the album includes Kendrick Scott on drums, Lawrence Hobgood on piano, John McLean on guitar and Clark Sommers on bass.
Chris Dunn also recently produced a “Concord Jazz All-Stars” album at Sear featuring Christian Scott on trumpet, Ben Williams on bass, Jamire Williams on drums, Matt Stevens on guitar, Gerald Clayton and Kris Bowers on piano, Logan Richardson and Walter Smith III on saxes – with Ted Tuthill engineering.
Also at Sear…electronic music duo Empire of the Sun tracked for their upcoming album in Studios A and C with Nicholas Littlemore producing and Tuthill engineering – Sear’s original Bob Moog / Walter Sear Moog modular synthesizer (Moog #2) was programmed and recorded for the album… Composer Bill Ryan recorded new music with a large percussion section and a string/woodwind ensemble, and Silas Brown engineering…and soulful singer/songwriter Amos Lee tracked vocals for the Zac Brown Band, with Allen at the controls.
Italian rap group Club Dogo (Universal Music Group) have been mixing and mastering their upcoming album at Engine Room Audio in lower Manhattan. The group’s DJ/beatmaker Don Joe and engineer Andrea “db” Debernardi flew in to work with head engineer Mark B. Christensen. Their latest single ‘Cattivi Esempi’ has reached #2 on the Italian music charts. The single, along with the rest of the album was mixed and mastered at Engine Room.
Also at Engine Room…Christensen mastered 50 Cent’s latest “Gangsta Grillz” mixtape – assisted by Benoit Holliger and Gabe MG, and Trey Songz’s new single “Heart Attack” – produced by Benny Blanco and Rico Love. The track is the first single off his upcoming album Chapter V, and the first track that has been ‘Mastered for iTunes.’ Christensen also mastered the new dance track by Jersey Shore’s Pauly D for G-Note Records.
Brooklyn rock band VietNam has been finishing up a new record with Matt Boynton at his Vacation Island Recording in Williamsburg. Boynton is mixing the album for the Brooklyn vinyl label Mexican Summer. Beirut has also been back at Vacation Island – where they mixed their ’11 album The Rip Tide – to mix their new EP with Boynton.
The Beach Boys stopped into Avatar Studios during their 50th Anniversary Tour for a vocal recording session in Studio C with producer Joe Thomas (Brian Wilson’s Imagination), and engineer Mike Czaszwicz, assisted by Tim Marchiafava.
Also at Avatar…Composer Teddy Shapiro’s film score for Great Hope Springs – directed by David Frankel and starring Meryl Streep and Steve Carell – was recorded in Studio A. Shapiro produced, and Chris Fogel engineered the tracking sessions. And source music for the film Killing Them Softly was performed and produced by Wynton Marsalis, and recorded by Jeff “Jedi Master” Jones. Bonnie Raitt recorded a live performance for World Cafe… The Young Presidents tracked new material with producer/engineer Rob Fraboni, assisted by Bob Mallory… Jimmy Fallon and the Roots recorded a comedy album, Blow Your Pants Off, with Lawrence Manchester engineering…Jon Hamm recorded a voiceover for the NFL Network…And Kurt Elling recorded a big band production of the Sinatra classic “The Best Is Yet To Come” for the Breeders Cup, with Steve McCabe and Neil Jason producing, and Roy Hendrickson engineering.
Next, the new Animal Collective album is finished – Joe Lambert just mastered it at his studio in DUMBO. Due out on Domino Records, Centipede Hz was recorded at Sonic Ranch in Tornillo, TX, and co-produced by Ben H. Allen, who co-produced, engineered and mixed Merriweather Post Pavilion. Allen mixed the record at Maze Studios in Atlanta, GA.
Meanwhile, The Lodge‘s Emily Lazar, Joe LaPorta, Sarah Register and Heba Kadry have been busy mastering a host of new records, including Alanis Morissette‘s brand new album Havoc and Bright Lights – produced by Guy Sigsworth and Joe Chiccarelli and mixed by Chiccarelli – Neon Trees’ Picture Show, Santana’s new album Shape Shifter, Jimmy Cliff’s new album Re.Birth, produced by Rancid’s Tim Armstrong, Shiny Toy Guns’ new album, mixed by Tony Maserati, and The Mars Volta’s album, Noctourniquet – produced by Mars Volta guitarist Omar Rodriguez-Lopez and mixed by Lars Stalfors
Other projects recently mastered at The Lodge include…Oneida drummer Kid Millions’ new album as Man Forever; Australian pop star Guy Sebastian‘s new single “Gold”, mixed by Manny Marroquin; Mexican rock band Fobia‘s new album on Sony Music Mexico, mixed by Jason Carmer; Tiësto’s remix of Kanye West’s “Lost In This World” off My Beautiful Dark Twisted Fantasy; and the new album by Lotus Plaza – the solo project of Deerhunter’s Lockett Pundt – which was mixed by Chris Koltay.
Also at Germano… Paul Falcone has been engineering sessions on some new material by M.I.A., with Missy Elliott and Danja producing…Mike Fraser mixed a Nickelback live album with songwriter/producer Gordini producing…Ryan West mixed Slaughterhouse… Kid Cudi recorded guitars and vocals with Dot da Genius producing, and Bill Sullivan engineering…Alicia Keys was in working with Mark Ronson, with Ann Mincieli engineering… Steve Perry was in to record vocals and keyboards with engineer Dave Rowland… TV boy band Big Time Rush were in writing and recording with producers Claude Kelly and Sandy Vee…and Isa “Machine” Summers (of Florence and the Machine) was working on a remix, with Pete Hanson engineering.
Brit rockers Bloc Party recorded their new album, Four, at Stratosphere Sound with Brooklyn-based producer/engineer Alex Newport, assisted by Atsuo Matsumoto. Check out the album trailer (featuring session footage) below. Also at Stratosphere…spoken word artist and singer/songwriter The Floacist and Raheem DeVaughn recorded with producer Nolan Weekes and engineer Arjun Agerwala…and Louis CK returned to track music for the new season of his F/X show Louie, with engineer Adam Tilzer.
Dance-pop duo Chromeo have been tracking vocals for their new album via the AKG C12 at Flux Studios in the East Village. Lawson White has been engineering the sessions in Flux’s Dangerous Room, with Dan Cherouny assisting.
Also at Flux…Mack Avenue jazz band The Hot Club of Detroit spent several days tracking live in the Dangerous Room and then moved operations into the Fabulous Room to mix their upcoming record – with engineers Todd Whitelock and Damon Whittemore…Whitelock and Whittemore also engineered new recordings by Tia Fuller, with Dianne Reeves…Fab Dupont mixed the new album by Nigerian-American rapper ElDee, and has been producing the upcoming record by French jazz singer Cyrille Aimee. Aimee and band have been at Flux for rehearsal and pre-production, and will track the full band recording in Dangerous, and then mix with Fab in the Fabulous Room.