September 19th, 2017 by Dan Gluszak
If characteristics like “punch”, “aggression”, “energy”, “color” and versatility are what you look for in a compressor, you’d be doing yourself a disservice by not getting your hands on some form or another of the classic API 2500 bus compressor, whether it be hardware or software.
Until recently, those of Read more...
September 12th, 2017 by Jeremy Steckel
Eventide’s Quadravox may primarily be a harmonizer tool, but its capabilities go way deeper, offering time-based effects and other features.
The name Eventide holds quite a bit of weight in the audio production world.
Unlike a previous generation of professionals—many of whom were immersed in studios outfitted with Eventide’s classic Read more...
September 5th, 2017 by Mike Major
In addition to Chandler Limited’s unmistakable sonic footprint (evident in both the hardware and software versions of the Zener Limiter), the plugin offers added features such as the ability to use it in dual mono, stereo, and Mid/Side mode.
I have had many chances to try out and use gear Read more...
August 29th, 2017 by Leo Maymind
The monologue may be small in size, but don’t let that fool you—this fully-programmable synth has a tons of comprehensive features packed under its tiny hood.
If you’ve been following synth trends for any length of time, you’ve probably noticed that we are living in a world with a treasure Read more...
August 22nd, 2017 by Rich Crescenti
Gain access to instant vintage bass mojo with the UAD Ampeg B-15N emulation—a faithful re-creation of the revered studio classic.
Many musicians and engineers crave the sounds of classic vintage hardware, but don’t have access to the real thing.
You can rage all day against the dying of the light, Read more...