Producers, audio engineers and guitar players all have at least one thing in common: They’re always on a never-ending quest for the perfect tone.
Oftentimes, guitarists try to make changes to their tone by changing strings, trying new amp and cab combos, or adding some pedals to their signal chain. Read more...
The Apollo x8 is a part of Universal Audio’s newest line of Thunderbolt 3 audio interfaces.
The Apollo x series is designed for tracking, overdubbing, and mixing. All the entries in this line feature high-quality A/D and D/A conversion, dual-crystal clocking, surround sound monitoring capabilities, and a new “HEXA Core” Read more...
In our last sojourn into game audio we covered some of the basics to bring you up to speed on how sound in games works in general, as well as taking you through how an audio asset gets designed and ready to be put into a game.
Now, we’ll actually Read more...
Music production interviews, plugin roundups, and tutorials; this Outside Scoop has it all. Catch up on the latest and greatest content published over the past week, including articles and videos. Check out an interview with Justin Bieber’s producer, create thicker vocals, make a living creating royalty free music, learn about Read more...
Scott Bradlee started with nothing but a keyboard and a camera and grew his Postmodern Jukebox channel into a small musical empire, with nearly 4 million subscribers on YouTube alone, dozens of album releases, and tours all around the world. There’s a thing or two that any kind of musician Read more...
Mixing low-end can be a frustrating task for engineers, both new and experienced. Not only do low frequencies come from a variety of instruments, but bass is prone to exaggeration by irregular home studio acoustics and hyped monitors, leading many to compensate with decisions that disrupt the mix balance.
Following Read more...
Cubase has long been one of the most well-rounded and complete DAWs on the marketplace. It boasts excellent audio quality and editing capabilities, and its programming and MIDI functionality are top-notch, whether you’re producing trap music in a project studio or scoring films in a huge facility.
As the line Read more...
As media converges, so do the job responsibilities of those who make audio production possible.
That’s exactly the experience of Allan Timms, who was announced as the new VP of Engineering for Universal Audio earlier this year. As the prolific creator of Apollo and Arrow audio interfaces, accelerators like the Read more...
This week’s Outside Scoop touches on best practices when conducting business within the music industry, in addition to an assortment of recording tutorials, mixing tutorials, and discussions involving studio gear. The articles and videos in this roundup were published within the last week, and are from all around the web. Read more...
Justin Colletti talks with Paul “Willie Green” Womack about wearing the many different hats a modern producer/engineer must don in the studio.
How do you keep it all together, shifting between the roles of technician, coach, arranger, craftsman, collaborator, and when should you farm some of the tasks to assistants Read more...
![How to Grow a (Massive) Music Fanbase on YouTube with Scott Bradlee of Postmodern Jukebox [SSP#017]](http://sonicscoop.com/wp-content/uploads/2019/04/sbsonicscoop.00_50_05_11.Still002.jpg)
![The Realities of Hip Hop & Music Production with Paul Willie Green Womack [SSP #016]](http://sonicscoop.com/wp-content/uploads/2019/04/WG-Audio-Tk1.00_59_12_11.Still001.jpg)