The latest in a series on raising your mix game, from the accomplished NYC mixer/producer Jamey Staub. Visit him early/often at http://www.jameystaub.com.
“The low end of the musical frequency spectrum provides the drive and soul of any musical piece.” – Jamey Staub, 2012
Whether you’re mixing Jazz, Hip Hop, R Read more...
By now – if you’re a Pro Tools user – you’ve at least considered upgrading to Pro Tools 10 if you haven’t taken the plunge already. On this episode of Input/Output, our hosts Geoff Sanoff and Eli Janney offer a comprehensive review of this *latest release* in use, outlining the Read more...
Over the past 10-15 years the “Loudness Wars” have been waged against engineers and music fans alike.
The desire to be the loudest and most ear-catching track has led to music that is robbed of dynamics and is fatiguing to listen to for long periods of time. At the same Read more...
As far as polarizing figures go, Ethan Winer is an unlikely candidate. Now 63 years old, Winer is a former audio engineer and computer programmer who plays the cello, owns a successful acoustics business, and frequents online messageboards in his spare time.
In the most pervasive photo of him on Read more...
Wurlis. You know ‘em, you love ‘em. Outside of ridiculous facial hair or dressing like you are in a 1920s barbershop quartet, there is just nothing cooler right now. But they are a pain – all are noisy, some are noisier. Plus the tuning can be pretty wonky on most Read more...
