Making a move is something Joe Lambert knows how to do – in more ways than one.
Lambert went solo in 2008, after a decade plus of mastering at bigger NYC houses. Hanging out his own shingle as Joe Lambert Mastering was a risk, but one that’s paid off as Read more...
Sanford Parker has been a go-to engineer in Chicago’s heavy music scene since the turn of the millennium, producing bands such as Yob, Indian, and Corrections House. As the stress and liability of co-owning a commercial studio becoming more trouble than it was worth, Sanford decided to go freelance, recording Read more...
Sampling is amazing for making songs sound huge: you’re taking parts of an already mixed and mastered song and putting it into your own.
From a production standpoint it opens up a world of possibilities, but from a mixing standpoint it can open up a can of worms. Here are Read more...
A friend of mine in the mixing/producing game refuses to use anything but the Waves CLA 76 on his vocal chain. Even though he believes other emulations of the famed hardware piece trounce the CLA—the UAD versions, the Softube mod found within Guitar Rig 5’s suite, the emulation issued with Read more...
Shed your skin, begin again.
It happens everywhere in nature, and as it turns out, in Brooklyn too. At Transmitter Park Studio, the renewal was only clear to owner Abe Seiferth and his crew after they wrought major changes to their airy Greenpoint facility and made a discovery: This was Read more...
Chung King Studios has closed – again. And with John King’s exit from 36 West 37th Street, comes a new chapter for this coveted space.
On Friday the 13th of February, King and his crew notched the last session at Chung King’s most recent location. The closure came one month Read more...
Jóhann Jóhannsson is on a roll – of a different sort. The circular motion of the imagery in the brilliant film that he scored, The Theory of Everything, inspired the spherical structures of the unforgettable music he created for it.
Onscreen, Jóhannsson saw bicycles, motorized wheelchairs, and the massive gears Read more...
More than ever before, albums are written, recorded, and even mixed at home. But it wasn’t always that way.
Just a few decades ago, almost all bands booked time in a recording studio to capture the sounds they wanted. Artists would commonly need to travel—sometimes across stateliness or outside the Read more...
We confess – when we first encountered Waves’ DiGiGrid DLS solution at the 135th AES, we couldn’t get our heads all the way around it. On the surface, we could see that this was a particularly powerful audio interface, working alongside of a SoundGrid DSP server for Pro Tools|HD and Read more...
There comes a moment of joy and frustration with the appearance of the fourth piece of gear.
You already have an audio interface for your computer, the mic plugs into the mic jack and the guitar plugs into the instrument jack. Then you get a great new device with connectors Read more...
