NYC-based music library Audio Networkannounced that it has launched a $500 Filmmaker Annual License.
The annual license is intended to provide new and aspiring filmmakers with an easy path to score their films, with one year of unlimited access to Audio Network’s 45,000-track, pre-cleared, cross-genre library.
Audio Network synch licensing Read more...
Gather ‘Round! The Input\Output podcast series, hosted by GRAMMY-winning engineer/mixer Geoff Sanoff (Green Day, Fountains of Wayne, The Secret Machines) and top mixer/producer Eli Janney (GVSB, The Obits, Motion City Soundtrack), officially debuts. Recorded at NYC’s Stratosphere Sound, I\O launches with this essential installment, hosting all-world record producer/engineer/mixer Chris Shaw. Read more...
Avatar Studios session action recently was fast and furious, as reported by the studio. Superstars returned, and multiple major label and indie artists tracked along with TV, film and Broadway cast recordings.
Jennifer Nettles and Kristian Bush AKA Sugarland recorded in Studio C on the Neve VRP 72-input console with Read more...
In the first of a series, mastering engineer Joe Lambert answers one of the many FAQs he regularly fields:
Q: Joe — bit rate: 16 or 24? Does the bit rate of a sound file make a big difference?
A: Here is a little background:
Bit rate is the amount Read more...
Earlier this year Line 6 introduced their legume-shaped Pod HD desktop effects unit, covering a whole new depth of sound quality in the digital guitar realm. With the new Pod HD Pro, users can expect all of the same features from the original Pod HD including the excellent HD amp Read more...
