Session Buzz: Who’s Recording In & Around NYC — A Monthly Report

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GREATER NYC AREA: One month into 2012, and so many artists are back in the studio, hunkered down to work on some of this year’s most anticipated releases. Tracking this activity on the regular, we can confidently note that an even wider range of artists than usual – from Madonna to John Zorn, Machine Gun Kelly to Burt and Ernie, Cee-Lo Green to T. Bone Burnett – seem to be recording, mixing and mastering in NYC-area studios of late.


Due out March 26, 2012

Let’s first zoom in on Greenwich Village, where mixing sessions for Madonna’s upcoming album MDNA have been running out of Germano Studios with engineer/mixer Demo Castellon.

Jon Bon Jovi also hit Germano for writing and recording sessions with co-producer John Shanks and Dan Chase engineering. And singer/songwriter Marc Cohn – with producer/songwriter and Dobro master Jerry Douglas – recorded here in sessions produced by Russ Titelman and engineered by Kevin Porter.

Also at Germano…K’naan recorded with Nas and Chuck Harmony producing – Dave Rowland and Ryan West engineered the sessions; The-Dream recorded new material with Brian “B-Luv” Thomas engineering; Keri Hilson was working with The Phat Boiz and Ne-Yo producing, Kenta Yonesaka engineering; and songwriter/producer Sandy Vee was mixing for various projects.

Nearby at The Lodge, mastering engineers Emily Lazar, Joe LaPorta, Sarah Register and Heba Kadry have gotten off to a busy start in 2012. In recent sessions, The Lodge mastered…Garbage’s upcoming full-length Not Your Kind Of People – mixed by Butch Vig and Billy Bush; The Raveonettes’ new EP; Narada Michael Walden‘s new album “Thunder” – engineered and mixed by David Frazer and Jim Reitzel; two new singles by the Cold War Kids – mixed by Richard Swift – and Bear in Heaven’s anticipated new album I Love You, It’s Cool – produced and mixed by David Wrench.

The Lodge also handled remastering Indochine‘s “Paradize” album (Sony Music France) for a 10th Anniversary re-release, and mastering St. Lucia’s debut EP for Neon Gold; Light Asylum’s new album for Mexican Summer, and Nymph’s new record mixed by David Tolomei for The Social Registry.

Down in the Lower East Side at EastSide Sound, recent sessions engineered by Marc Urselli include: vocals and drum tracking for Martha Wainwright’s new Yuka Honda-produced album; two new John Zorn albums, one a trio featuring Bill Frisell; Sean Lennon recording an album with Kemp & Eden; David Krakauer recording and mixing his new album for Tzadik Records, as well as a recording for a movie soundtrack; and Japanese french horn player Yuko Yamamura with Taiko player Ryota Kataoka for a duo record of Japanese traditional music.

The new Jets Overhead record was mixed over at Flux Studios in the East Village. Producer/mixer Emery Dobyns mixed the album out of Flux’s freshly-appointed Revolution Room. Also at Flux, producer/mixer Fab Dupont recently finished mixing a new album from jazz saxophonist Bob Reynolds – produced by Mat Pierson, and featuring John Mayer.

Singer/songwriter Cris Cab and producers 88 Keys, Wyclef and Sedeck Jean have been working up at StadiumRed in Harlem, making Cab’s debut album for Mercury Records, and the just-released Echo Boom mixtape, presented by Billionaire Boys Club. StadiumRed engineer Joseph Pedulla worked alongside Cab and co. on these two projects – writing and recording in StadiumRed’s A, B and C4 rooms, with assistant engineers Keith Parry, Mike Kuzoian and Phil Consorti. In-house mastering engineer Ricardo Gutierrez also mastered the first single off Echo Boom, “Put In Work”.

Click to watch some studio footage from these sessions…

StadiumRed also hosted Cee Lo Green while he was in town preparing for his Super Bowl performance. The session included vocal tracking and mixing for his upcoming single. Graham Marsh engineered these sessions, with assistance from Keith Parry.

Meanwhile in Midtown, Sesame Street was invading Sear Sound! As part of a video shoot for Pool Worldwide from The Netherlands, produced by Tim Carter, Bert & Ernie got acquainted with Studio C and its custom Avalon/Sear console as well as Sear’s chief engineer Chris Allen. Jazz saxophonist Ravi Coltrane also paid a visit to Studio C, tracking and mixing his new album with Allen engineering, and Joe Lovano producing, and contributing tenor sax and his specially designed double sax.

Lovano also tracked and mixed his own album in Studio A for Blue Note Records, with James Farber engineering, and Ted Tuthill and Owen Mullholland assisting. In other recent Sear Sessions: Imani Wind Ensemble recorded with Silas Brown engineering, and bassoonist Monica Ellis producing; NYC-based producer Andrew Wyatt (of Swedish indie-pop band Miike Snow) has been working on Xander Duell’s new album; and Philip Glass tracked the score for a new documentary, BESA, with Christian Rutledge producing, Dan Bora engineering, and Trevor Gureckis conducting.

Sesame Street also took over KMA Music in the Brill Building, recording “Elmo’s Elf-a bet Challenge” in Studio A, with engineer by Serge Nudel. R&B singer Chrisette Michelle recorded “Get thru the Night” and “Kiss Kiss” at KMA with Serge Nudel engineering. Nudel also engineered tracking sessions with Amanda Cole for the track “More Than I Can Handle”.

Mos Def tracked his remake of the Jay-Z/Kanye track at KMA Music.

In other recent KMA sessions… Yasiin Bey(Mos Def) has been tracking with Colin Norman engineering; Producer/engineer Emily Wright mixed an upcoming Owl City release; Roc Nation’s J. Cole tracked a new album with Mez Davis engineering; Mike Posner also did some tracking with engineer Mez Davis; Carole King cut vocals for her memoirs with Colin Norman engineering; and hit songwriter Claude Kelly and producer Chuck Harmony have working on new material with Ben Chang engineering.

In the midst of planning a large-scale renovation, Daddy’s House Recording Studios in Midtown has been busy tracking and mixing on records for Machine Gun Kelly – “Wild Boy”, mixed by Steve “Rockstar” Dickey; French Montana – “Shot Caller”, mixed by Matt Testa; and Red Café – “Let it Go” among other tracks, recorded and mixed by Steve “Rockstar” Dickey.

In addition Daddy’s House has reportedly hosted quite a bit of independent label work, and choir recording sessions. Once renovated, Daddy’s House will be re-launched as a commercial studio, but in the meantime this facility – with its SSL G-equipped and Neve VR 60-equipped studios, and writing room, is officially already open to the public.

Big film and television projects were underway at Avatar Studios – including songs recorded for the soundtrack of The Hunger Games for Lionsgate. Produced by T. Bone Burnett, and engineered by David Sinko – assisted by Bob Mallory – music for the film was tracked to tape in Studio A. Burnett has also been recording music for a new Coen Brothers film Inside Llewyn Davis at Avatar – co-produced by Burnett and the Coen’s, and engineered by Jason Wormer, with Mallory assisting.

Music for NBC’s “Smash” has been recorded at Avatar and mastered at Masterdisk.

And music for NBC’s new show Smash was recorded with producer Mark Shaiman and engineer Todd Whitelock, assisted by Charlie Kramsky.

And, in time for Super Bowl XLVI (as we reported yesterday), NYC-based composer Joel Beckerman brought his new theme for NBC’s NFL Show in to record with an orchestra in Avatar’s Studio A, with engineer Dennis Wall.

In pure music sessions at Avatar…Herbie Hancock recorded a piano duet with Lang Lang in with producer David Lai and engineer Kirk Yano, assisted by Tim Marchiafava. Esperanza Spalding also recorded with Hancock for the same project. Placido Domingo recorded duets with Bobby McFerrin and producer / engineer Rafa Sardina, as well as with Harry Connick, Jr.  And Broadway cast albums for Bonnie & Clyde (producer David Lai, engineer Isaiah Abolin) and Once (producer Steven Epstein, engineer Richard King) were also recently recorded at Avatar.

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  • Thanks for this! Such a load of info on the NYC studio scene. Fantastic read.

  • Roy

    engine room, tainted blue, quad?