The Association of Independent Commercial Producers (AICP) held their annual awards gala last night in NYC. Surrounded by the wonders of the Museum of Modern Art, the AICP recognized NYC’s Big Foote Music + Sound in the “Musical Arrangement” category for their work on Smirnoff’s “Crazy Nights” global spot.
Big Read more...
GREENWICH VILLAGE: Walk into John O’Mahony’s new mix room in New York’s venerable Electric Lady Studios and you’re glimpsing into the hybrid analog/digital mind of a modern-day mixer.
Along with the Pro Tools HDX system, O’Mahony has racks stuffed with his choice analog pieces surrounding the centerpiece of the studio Read more...
MOTU is staying right on top of it with the announcement of their new Track16, a 16 x 14 desktop studio interface with mixing and effects.
The big feature that the Track16 offers right out of the gate is the amount of I/O that it can support (via breakout cable/box) Read more...
Wurlis. You know ‘em, you love ‘em. Outside of ridiculous facial hair or dressing like you are in a 1920s barbershop quartet, there is just nothing cooler right now. But they are a pain – all are noisy, some are noisier. Plus the tuning can be pretty wonky on most Read more...
The LM2 Radar Loudness Meter is TC Electronic’s new native plug-in that measures True-Peak and Loudness on stereo tracks in all major DAWs, including Pro Tools.
A dedicated stereo plug-in supporting all major plug-in formats, the new LM2 plug-in features TC’s Radar Display which provides an instant loudness overview, including Read more...
