Out of sync.
From the moment the 133rd AES Convention opened up the showfloor at San Francisco’s Moscone Center, you could feel it: Things were out of place – from the glaringly obvious to the subtly disquieting – that were going to take some thought to work through.
There were Read more...
500-Series modules are only as good as their power rack.
Radial Engineering is doing its part to make sure that everyone’s 500-size gear has an energizing place to work, with its sixth power rack in their 500-series range: the SixPack. Prices have not yet been disclosed for the SixPack, which Read more...
WEST ORANGE, NJ: It makes perfect sense that Bill Laswell’s place is on the bass.
A mostly underground producer who occasionally surfaces in the mainstream, Laswell has built up what easily stands as one of the most diversified client lists in modern music. Over his career as a producer, bassist, Read more...
At AES this weekend, Audio-Technica launched their new flagship 50 Series of high-end studio microphones with the all-new AT5040 Cardioid Condenser mic.
In development over five years, the hand-built AT5040 side-address condenser was designed for realism and depth, presence and purity of sound.
Featuring a proprietary element design, the AT5040 Read more...
Prepare for a whole new approach to live tracking and overdubbing in today’s studio environment.
At AES 2012, Lavry Engineering announced Latency Killer, a zero-latency cue mix system for use with any digital recording system. The system will list for just under $3,000 upon availability.
Here are deeper details on Read more...
