AES New York 2017 is upon us, and there’s no shortage of new and exciting gear on display. Here are some notable new releases, with much more to come post-convention.
Eventide debuts the H9000.
The H9000 is an all-new network-ready, 16-DSP, multi-channel, rackmount audio effects processing flagship, featuring Read more...
In the final part of this three-part series, Justin Colletti and Bob Mallory talk through the daunting task of choosing mics for the home studio, and present some A/B comparisons of a handful of select home studio mics on spoken word and acoustic guitar.
Also be sure to check out Read more...
A few blocks down from Penn Station’s 24/7 hum, there’s a new facility coming on like a freight train.
The underground rumble is from GSI Studios. On the eighth floor of a W. 29th Street office building between Sixth and Seventh Avenues, it’s in a West-side corridor that hosts dozens Read more...
Bass behemoth Ampeg has always been known for their amplifiers. You’ll find nary a reputable city venue that doesn’t keep some iteration of an SVT in their backline. They’ve been an industry standard since 1969, when the company’s founders set out to build “the biggest, nastiest bass amplifier the world Read more...
How much does a microphone’s history contribute to its sound?
For classics like the Neumann U 67, Telefunken Elam 251, or Sony C-800G, the tubes and circuitry within them shape their sonic characteristics, creating an imprint instantly recognizable to audio engineers. Just the mere sight of these timeless mechanisms can Read more...
