If you were recording music in 1971 – and had some serious coin to spend on gear – you just might have installed a groundbreaking unit into your studio.
That would be the Eventide DDL 1745 digital delay, which was $3,800 upon launch in 1971, or about $22k in today’s Read more...
Say hello to Ableton Live 10.
The new Live delivers four bold new devices, workflow refinements and a re-designed sound library. Live 10 also brings new functionality and high-res visualizations to Push. Plus, Max technology is now fully integrated into Live 10 Suite for faster, more stable performance.
Live Read more...
One of the most interesting challenges I faced when transitioning from working primarily in music production to audio post-production was making the switch from mixing in stereo to mixing in surround sound.
In some ways, mixing in 5.1 is actually easier than stereo. For example, dialogue lives much more naturally Read more...
Cameron Craig has worked in the UK since the 1990s, when he moved from Australia to pursue his dream of working in the then-burgeoning Brit-pop scene.
There, he moved up the ladder in the music industry, developing the connections that led him to work with artists including Adele, Amy Winehouse, Read more...
Lindell Audio has become known for their vintage-inspired software designs.
Their PEX-500 EQ, based on the revered Pultec EQP-1A, garnered much attention from 500 series fans, and with the release of their 254E, the sound of the famed Neve 2254E compressor has become more attainable than ever before.
Lindell and Read more...
