Spotify is alive and well, showing steady revenue growth over the past year. However, their per-stream payout rate has steadily declined over the same time period.
Wait…what? As the company’s revenue grows, per-stream payout rates should be increasing along with it, right? Unfortunately, it’s not quite that simple.
As we’ve Read more...
In our newly-expanded “Outside Scoop” section, we highlight some of the very best posts of the week on audio and music production. This time, a roundup of 3D Audio and virtual reality mics from Peter Kirn.
Microphones have come quite a long way since their inception. First, microphones recorded in Read more...
The global music conference Mondo.NYC is set to take off once again. Running from October 2-5 at the Williamsburg Hotel, this year’s Mondo seems set to deliver on the promise of its name, with a generous infusion of blockchain and music supervision events added to its core of music tech Read more...
SPL ships the Crescendo 8-Channel microphone preamp.
Crescendo is the first mic preamp that functions with an internal operating voltage of 120V. SPL pioneered the 120V technology in their Mastering Series hardware (seen in the PQ Equalizer and IRON Compressor), and have now brought 120V technology to their recording products Read more...
AES 2018 is proving to be the Queen Bee for a host of enticing satellite audio events.
Women’s Audio Mission (WAM), the nonprofit dedicated to the advancement of women in music production and the recording arts announced they will present their first immersive recording arts conference for women in New Read more...
