Noise is a massive issue for studio owners—hobbyists, and professionals alike.
One of the trickiest things to do is pinpoint where noise is coming from. The problem is that noise can come from many different sources: dirty power, faulty gear, electromagnetic fields, and so on.
To help identify a noise Read more...
If you’ve put in the effort to release music at a professional level, you’ve already come to the realization that acquiring new fans can be tough. Keeping those fans and converting them into diehard fans who are willing to buy your merchandise and other products can prove to be even Read more...
AES New York 2018 is here, and as always, the market is brimming with new gear. Let’s see what some of the industry’s leading manufacturers have been cooking up. Be sure to tune in next week for more AES gear coverage!
API announces the new Model 1608-II recording and Read more...
For emerging artists, live performances are a mixed bag of pleasure and pain.
Some view it as an anxiety-inducing roller coaster, necessary in order to share their creations with the world, others as rocket fuel—the real reason they’re in the trade.
The wide degree of seriousness with which artists prepare Read more...
The Splice music creation/connection/collaboration platform is expanding its footprint — in ways that matter most to music creators.
The company announced today that since the inception of Splice Sounds in 2015, it has paid $10 million in royalties to music creators who distribute their sounds through the sample service. According Read more...
