I worked at Electric Lady Studios with Michael Brauer for one year as an Assistant Engineer—it was easily one of the most influential and informative experiences of my life. A lot of the lessons I learned there greatly informed me as an artist and engineer and team member as 1/3 Read more...
iZotope announces the release of Ozone 9.
Ozone 9 builds on a 17-year legacy in audio mastering, bringing balance to music with never-before seen processing for low end, new realtime instrument separation, and lightning-fast workflows powered by machine learning.
With features such as its expanded Master Assistant, creators can Read more...
In this episode of the SonicScoop Podcast, Justin Colletti talks to Marc Urselli about the differences between mixing for the studio and the stage, how to get the most out of musicians, controlling stage volume, using compression live and a whole lot more.
Then, the talk turns to gear, Read more...
Convolution reverb is an extremely realistic-sounding and useful way to recreate specific acoustic environments. Because of this, convolution effects have become a go-to in audio post-production, allowing engineers to place sound effects and dialogue in a sonic environment that is stunningly convincing.
These powerful tools have also become increasingly popular Read more...
One of New York City’s most creative audio post facilities, Creative Media Design (CMD), has expanded their team.
Lia Perretti has joined CMD as Head of Production. She comes to CMD after working with several of NYC’s top advertising agencies, including Publicis New York, Havas, and McCann New York. Perretti’s Read more...
![Live Sound vs The Studio — With Marc Urselli [SSP040]](http://sonicscoop.com/wp-content/uploads/2019/10/MVI_9145.01_05_27_05.Still006.jpg)
