Why does your mix sound OK in the studio, but terrible in the car?
Today, we look at your mixes through the lens of the “Car Check” to help you figure out why your mixes don’t always translate to other systems—and what you can do about it.
We’ll also explore Read more...
When producers picture the act of experimenting with studio gear, power conditioners don’t typically top their list. Instead, it’s units like delays, reverbs, and compressors that come to mind when audio engineers consider getting creative.
When it comes to the design phase, however, there’s plenty of space for inspiration – Read more...
Soundgarden’s Superunknown stands the test of time with some S-Tier rock mixes that sound amazing on any good system.
Mixed by Brendan O’Brien and produced with Michael Beinhorn, songs like “Black Hole Sun” and “Fell On Black Days” get just about everything right that a rock mix can get right. Read more...
In 2013, I wrote about my experience working and living at a residential recording studio called Saint Claire Recording Company in Lexington, Kentucky. Saint Claire was a dream recording studio in every imaginable way.
The studio itself was technically astounding. The residential facilities were charming, cozy, and unique. I was Read more...
This week, I analyze the absolutely brilliant mix on an unlikely track from the mega pop star, Britney Spears.
Britney Spears is the last artist I thought I’d be analyzing on our channel, but the production for the song “Toxic” is phenomenal from start to finish.
We’ll take a close Read more...
