Producer Steve Evetts listens intently to the sound of Ben Weinman’s guitar coming through his headphones.
“A little more to the right,” he tells a studio tech adjusting a microphone in front of Weinman’s guitar amp. Evetts’ eyes search the sky as the tone from the mic gradually changes. He Read more...
In 2005, and, with the weight of their purchase heavy on their minds, Jonathan Plum and Geoff Ott painted the walls of their newly acquired studio, London Bridge.
By then, London Bridge Studios had already seen plenty of history pass within its walls—Pearl Jam’s Ten, Soundgarden’s Louder Than Love Read more...
Jack Endino’s name is synonymous with the sound of Seattle in the early 90s. From time to time, he’s referred to as “The Godfather of Grunge”.
Blame Nirvana. Or Mudhoney, TAD, Screaming Trees, Green River, and Soundgarden. Endino has worked on more than 400 records from across genres in a Read more...
On stage with St. Vincent at Seattle’s Moore Theater, Daniel Mintseris stands calm and stoic in a white suit and his trademark Fedora hat. He presides over a single MIDI keyboard and laptop, with a foot controller, a handful of pedals, and a duplicate laptop on the floor below him. Read more...
Drive thirty minutes North of Seattle to Woodinville, and along the quiet, two-lane Maltby Road you’ll find Bear Creek Studio.
Or, maybe you won’t at first. The small dirt turnoff that leads up to the studio isn’t clearly marked. Firs and cedars stretch to the sky on and around the Read more...
