A gem in the East Village of NYC, Flux is a recording studio that knows the staying power of remaining flexible.
This week, Kallie Marie talks to founder Fab Dupont about the currents of change powering this longstanding and ever-growing New York studio.
In the last few months alone, Flux Read more...
How does the Boss NS-1X Noise Suppressor Pedal perform in the recording studio, away from the stage and rehearsal space? Let’s find out.
Boss recently released the NS-1X Noise Suppressor pedal, which promises a “next generation noise suppressor and gate, and other electronic instruments.” The new pedal uses “intelligent” Boss Read more...
In this Lunacy Audio CUBE review, Kallie Marie explores this virtual instrument with a 3D sample-morphing engine. What are the creative possibilities of vector synthesis?
At first glance you may not guess what’s inside this CUBE; Lunacy Audio have made a 3D Sample Morphing Engine. It’s a visual instrument that Read more...
Two new sound collections provide composers and music producers with deep sonic possibilities, in this Orchestral Tools review.
Orchestral Tools have found a powerful way to add even more evocative elements to music and sound production with their recent collections, Metropolis Ark Ø and Drones.
Metropolis Ark Ø is the Read more...
In this Soyuz 1973 Review, SonicScoop’s Kallie Marie puts Soyuz’ under-$1000 FET large diaphragm condenser (LDC) microphone to the test.
Soyuz recently released classy matte black and silver versions of their take on a transformerless FET microphone, the 1973. I decided to take the matte black 1973 for a spin, Read more...
