Recently, I went overseas to teach an intensive two-week mixing class in India, and it changed the way I think about teaching mixing.
I’ve taught many mixing classes before, and even covered the core concepts in workshops and seminars at one of the biggest audio schools in New York City. Read more...
It’s impossible to separate the sound of the 80s from the technology that birthed it. It is in my mind, one of the largest evolutionary leaps forward that recorded music has taken.
Digital gear brought forth a slew of new capabilities that only existed in our imagination previously. Newer consoles Read more...
When I learned of the Rupert Neve Designs RMP-D8, I was very excited to try it out. I initially came across it at the 2017 NYC AES show and was enthralled with what it might mean for my sessions.
The RMP-D8 is a remote controlled 8-channel mic preamplifier with Read more...
Over the years, I have worked with many bands, both in the studio and at live venues.
I also attend shows every week and have seen tons of bands. Some awe-inspiring, some…not so much. No big surprise there.
What is surprising however, is the number of that who could be Read more...
Mixing methodology is sacred amongst engineers.
Ask any 10 of them how they set up their workflow, and you’ll get 10 different answers—all of which are valid.
Even as plugins and summing algorithms have improved, I still know a great many engineers who prefer working on consoles.
If great mixes Read more...
