This year on Sunday January 28th, the GRAMMY Awards celebrated their 60th anniversary with a return to New York City and the most famous arena in the world, Madison Square Garden, for the first time since 2003. Highlighted with performances by U2, Sting, Lady Gaga, Childish Gambino, Bruno Mars, Sam Read more...
iZotope is an undisputed champion of creative audio tools for music and post-production. Their products allow users of every skill level to tackle the most challenging sonic obstacles with relative ease and speed, and always produce spectacular-sounding results.
I’ve written extensively in the past about many of iZotope’s offerings. Today, Read more...
Sometime in the past few years, I’ve noticed what I like to think of as a “third wave” of DAW-based processors emerging.
What started years ago as the promising possibility of plugin-augmented mixing has morphed into a full-scale “console-in-the-box” situation, where mixing entirely within your DAW can finally save time Read more...
It’s no secret that I’m a big Audio Ease fan. Ever since I heard the early versions of Altiverb and its true-to-life Impulse Responses in the recording studio, I was hooked.
Convolution reverb isn’t for everyone, and it isn’t for all applications. But for the records I was making, and Read more...
The landscape of post-production mixing tools available—especially for budget-conscious engineers working on independent projects—is constantly expanding.
I’ve had the pleasure of working with and reviewing some really unique software-based foley products for SonicScoop in the past, so when a regular reader emailed me to insist I check out Tovusound and Read more...
