There’s a right and wrong way to use reference mixes.
Whether you’re mastering, mixing, recording, producing or even songwriting, it’s important to know what you favorite music really sounds like—and how yours compares.
If you want to grow in your craft, then understanding what separates your work from others’ is Read more...
Cubase 10 is an essential part of the creative process for music producer and songwriter Ian Kirkpatrick, In this Steinberg Spotlights video, the Los Angeles producer discusses...
Read MoreToday, I am joined by Gregg Lehrman, CEO of the music-making software company Output, to talk about artificial intelligence in the music industry.
Will A.I. compete with musicians? Can we benefit from us? How it will shape the realities of making a living in music in the future?
We discuss Read more...
Today is a rare opportunity for anyone to ask me a question about anything related to audio and get it answered!
I do these Q&A sessions regularly for members of our channel, along with in depth mix feedback sessions, but today I’m doing it for free for everyone.
We’ll take Read more...
Bloom from oeksound represents a totally new class of plugins.
Piggybacking on the technology behind the influential Soothe 2 and Spiff plugins, Bloom radically reshapes your tones in an elegant way, with a minimum of artifacts.
I’ve been listening to what this thing can do and I’ve been impressed…
…So Read more...
It’s common to talk about “talent” when it comes to music. But how much difference does talent really make?
Can you have a talent for mixing? What would that look like, and how would you know if you had that talent… or if you’re totally hopeless?
Spoiler alert: Today I’ll Read more...
