“It is always darkest just before the day dawneth.” – Thomas Fuller
Things were not going so well for Rob Kolar, not so long ago. The multi-instrumentalist producer/composer’s hand had been badly mangled, and his bank account was dead in the red. Morale, as you might expect, was at an Read more...
For all those who can’t get enough of the master actor Bryan Cranston since the finale of “Breaking Bad,” this week brings excellent news: He’s starring in The Infiltrator, based on the true story of a U.S. Customs official who uncovers a money laundering scheme involving Colombian drug lord Pablo Read more...
“Something soulful” – that’s what Bill Brown searches for when he’s composing music-for-picture.
It’s a quest that’s paid off. He was the music man of record for the full nine-year run of “CSI:NY”, SyFy’s “Dominion,” Michael Mann’s All, Oliver Stone’s Any Given Sunday, and a host of hot game titles Read more...
When to go bicoastal?
For Manhattan Production Music (MPM), that time is now. Based – where else? – in New York City for over 30 years, the company has just Gone Big by establishing an LA office. But establishing a West Coast presence takes more than just setting up a Read more...
Some composers live a career behind the scenes – Charlie Clouser is not one of them.
While he currently spends his days and nights creating high-visibility soundtracks (the entire Saw series, Resident Evil: Extinction, “Numb3rs,” “American Horror Story”), he’s spent his time in the spotlight. Clouser was keyboardist/programmer for Nine Read more...
