Sultry. Ask anyone about Ruby Stinson’s new single, “Come Clean,” and sultry surfaces.
It’s an addictive R&B song simmering with heat-of-the-moment intimacy. But capturing Stinson’s star-quality voice was not a spontaneous act. For NYC-based producer, mixer and co-writer Richie Beretta, recording vocals for “Come Clean” required a careful balance of Read more...
Charle's Sprinkle, Kali's Director of Acoustics, discusses what Boundary Compensation EQs are for, how they're made, and why they chose to do measurements at The Village Studios in...
Read MoreRich Costey has a dilemma: Let his GRAMMY-winning career as a producer and mixer speak for itself, or shed his shyness and do some of his own talking?
It’s understandable why Costey has gone with the former option for most of his professional life—the man is busy. When you visit Read more...
Paranoia. Bone crushing pressure. Nasty hallucinations. Brutal buzzsaw attacks.
These symptoms stem from listening sessions of Desert Dystopian, the new Sounds Originals sample pack by Tom Holkenborg. Also known by the name Junkie XL, his new collection is set to open up exciting options for composers and music producers alike Read more...
Cruising down the side streets of Los Angeles, you can expect to drive by the inevitable “Flats Fixed” operation. If you peer between the signs, however, you just may find a less typical type of maintenance available: “Song Repair.”
The proprietor of that hard-working shop? None other than super duper Read more...
Richard Devine works as a sound designer by day and an artist by night. He’s recently finished an album called SortLave and went about creating it using an elaborate modular synthesis rig. Synthtopia’s Synthhead locked down an interview with Devine and asked him about his creative process and the unique Read more...
