The first in a series on raising your mix game, from the accomplished NYC mixer/producer Jamey Staub. Visit him early/often at http://www.jameystaub.com.
As most of you know, the job of a music producer requires one to be versatile: Projects range from A-list celebrities to unknown bands that need development.
I’ve Read more...
During the final weeks of April, I had the opportunity to sit down with iZotope’s new sampling re-synthesizer, Iris. Upon first opening it, I instantly recognized and felt comfortable with the spectral analysis view. If you’ve ever used iZotope’s RX software then you’re already familiar with the basic layout of Read more...
Pulling up to Steven Slate’s offices in Laurel Canyon, my first thought was to double-check the address. It’s a quiet, residential neighborhood, albeit known for its rock-and-roll residents going back to the 60s (Jim Morrison, Frank Zappa, etc.). But you don’t expect many businesses to be tucked away in these Read more...
Phase problems are the bane of any engineer’s existence. A typical tracking setup in a recording studio will almost always include sound sources being captured by multiple inputs or microphones. When recording drums, bass, guitar cabs, room mics, and anything in stereo, for example, phase-related issues will come up.
On Read more...
These days you don’t have to sit behind an acoustic drum kit to play acoustic drums. I know, I know… I’ve been a skeptic of “virtual drums” for a long time but it is truly amazing how far the technology has come to blur the lines between electronic drum pads Read more...
