Electro-Harmonix have had their range of “9” pedals for quite a few years now. With the aim of turning your guitar signal into a Hammond B3, electric organ, and Mellotron, models such as the B9, C9, and Mel9, respectively, have made their splash with guitarists. It’s surprising to me that Read more...
Acoustic treatment is one of the most essential parts of any studio. Knowing precisely how your room influences your sessions and decisions—whether you’re recording, mixing, or mastering—is critical. Alas, the entire subject matter is too commonly ignored or misunderstood by audio engineers.
We’re all lucky enough to live in the Read more...
For myself and other hardware enthusiasts, the addition of a mixer that can function as an audio interface is a game changer.
Nearly a decade ago, my entire studio practice centered around a 12-channel Mackie Onyx 1220i, a Firewire-equipped mixer that allowed each channel to be sent, pre- or post-EQ, Read more...
Spectra Sonics was founded in the city of Ogden, Utah by William G. Dilley in 1964. A combat pilot and WWII veteran, Dilley published over 300 engineering papers and technical articles during his lifetime. He was even awarded a fellowship by the Audio Engineering Society for “advancing the ‘state of Read more...
When the Bricasti M7 was released, it was a game changer for engineers, producers, and music makers all across the world.
Created by ex-Lexicon engineers to become the new standard in algorithmic reverb, the M7 is still highly coveted, and its impact has inspired much competition in the plugin world. Read more...
