As a musician, producer and engineer who lives in New York City and uses public transport, I have become very familiar with the happy world that is created in my head whether I am monitoring on high quality IEMs (such as the Grado GR10e) en route to some midtown appointment Read more...
Electric guitars first started making their way into the music industry in the 1930s, and have been a staple of American popular music ever since.
Thousands of different models have been manufactured over the years, making it no small task for studio owners and recording guitarists to decide which models Read more...
The new Satori from Antelope was designed to make routing, calibrating, and controlling monitoring systems a breeze for small and mobile studios, and further sweetens the pot by adding on analog summing and remote control capabilities.
Whether you work out of a personal mix suite, voiceover studio, home or project Read more...
Soundtoys, founded by a luminary effects designer who defected from Eventide after helping to develop some of their most iconic products, got its start making plug-ins that were a bit left of center.
Early gems like Crystallizer and Filter Freak were truly different, both sonically and creatively. They weren’t plug-ins Read more...
I.C.E. is one of a new breed of DSP processors that can alleviate formerly untreatable audio issues—in this case, distorted sound.
It’s always been tricky to do much of anything about recordings that have already been inadvertently clipped on the way in. Ideally, you’d re-record and pay more attention to Read more...
