Whenever a musician or fledgling recording engineer decides to create his or her own studio, the journey seems to begin by poring over gear catalogues to choose the sexiest mics, preamps, compressors and EQs.
It’s a common tendency to want to outfit one’s studio with the most glamorous and coveted Read more...
Rich Chycki, a master mixer for the likes of Rush, Dream Theater, Aerosmith and more, takes us for a tour of a real progressive rock mix, with a special emphasis on emulating the iconic and organic sounds of classic analog consoles in the box.
Many thanks to Plugin Alliance for Read more...
Join Ryan Earnhardt of SonicScoop and creativesoundlab.tv for a closer look at some of the most essential techniques for mixing with delay. From vocals to guitars to percussion and more, Ryan offers up some time-tested key tips to getting the most out of delay in your mixes.
For this video, Read more...
In his unforgettable MixCon presentation, we went under the hood of a real mix with Bob Power, GRAMMY-winning mixer for the likes of Tribe Called Quest, Erykah Badu, D’Angelo and De La Soul.
One thing he didn’t get to in his main presentation however, was his treatment of lead vocals Read more...
In this mix walkthrough from the third annual MixCon in New York City, veteran hip hop and indie mixer Joey Raia cracks open a real mix from the critically-acclaimed rap super-duo Run The Jewels.
In this presentation Joey explores everything from getting the low end right, to enhancing the Read more...
![Mixing Masterclass: Analog Sounds in the Box with Rich Chycki [MixCon Video]](http://sonicscoop.com/wp-content/uploads/2017/09/rich_c_mixcon.jpg)
![Mixing With Delay: 3 Essential Techniques [Video]](http://sonicscoop.com/wp-content/uploads/2017/09/Ryan-Line-6-3.jpg)
![MixCon Shorts: Bob Power on Lead Vocal and Mix Bus Processing [Video]](http://sonicscoop.com/wp-content/uploads/2017/09/maxresdefault-5.jpg)
![Mixing Hip Hop Masterclass with Joey Raia [MixCon Video]](http://sonicscoop.com/wp-content/uploads/2017/08/Joey-Raia-Pic.jpg)