MOTU Introduces Audio Express Personal Studio Interface for Audio I/O and Mixing
MOTU has announced that the Audio Express, a 6×6 hybrid FireWire/USB 2.0 audio interface and mixer for personal studio recording and live performance mixing, will begin shipping this month.
According to MOTU, the Audio Express ($449) features studio-grade sound, hands-on mixing, MIDI connectivity, and all the audio I/O needed for a well-equipped personal studio. Its features include front-panel control of four stereo mix busses, stand-alone mixing, digitally controlled analog trim, DDS (Direct Digital Synthesis) audio clocking for exceptionally low jitter performance, and an instrument tuner.
Using MOTU’s Hybrid interface technology, the Audio Express connects to any current Mac or PC via FireWire or high-speed USB 2.0 and provides six simultaneous inputs and outputs. Two XLR/TRS “combo” jacks with clean, neutral preamps provide input for guitars and microphones, with individual 48V phantom power for each input. Two additional quarter-inch (TRS) analog inputs let users connect a keyboard, drum machine, or other line-level instrument. Four quarter-inch (TRS) analog outputs can be connected to powered monitors, stage wedges, or other output destinations.
All quarter-inch analog connectors are balanced to ensure the best-possible protection against RF interference, AC hum, and other noise-producing environmental factors.
The rear panel includes S/PDIF digital I/O, MIDI I/O, and a foot switch input for hands-free punch-in recording (or other computer keyboard function, programmed from the included setup software).
The Audio Express front panel provides straightforward, hands-on mixing of all six inputs. Users can plug in a mic, guitar, keyboard, and a digital input device, and immediately control the mix going to the main outs via four front-panel knobs labeled MIC 1, MIC 2, LINE 3-4, and S/PDIF, the latter two acting as stereo pairs. Users can also adjust input trim levels directly from the front panel. Since trim level is handled independently from mix volume, users will not have have to sacrifice audio quality (initial gain levels) when adjusting mix levels to achieve the optimum balanced mix.
In the studio, Audio Express front-panel mixing can be used for monitor-mixing while tracking into host software on a computer (to eliminate software latency during recording), or for playing connected instruments even when the computer is turned off. On stage, the Audio Express can be used for live mixing, either stand-alone or with a computer. Because immediate volume adjustments are always available, the Audio Express can serve as a compact mixer in either situation.
Equipped with four stereo mix busses, the Audio Express allows users to create a completely separate mix for each output pair (main outs, line outs, S/PDIF out, and phones). For example, a full mix could be sent to a venue’s PA system, while a guitar-only mix could be sent to wedge monitors on stage via the line outs. Input trim levels are maintained across all four mix busses. Programming for all four mixes (and input trim) can be done from the front panel by pushing the MIX knob to cycle among the four mixes and trim mode.
For a full list of features and additional information, visit the Audio Express Web page. The Audio Express movie is here.
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