New Gear Alert: Sonarworks Updates Reference, MicroPitch Delay Pedal by Eventide, Podcast Mic from Marantz & More
Sonarworks unveils the latest update of Reference.
Continuing their commitment to making a simple and affordable software that delivers reliable reference sound for creators, Sonarworks has added new features and usability updates including Custom Target, Translation Check, improved systemwide drivers for Windows users, and many other enhancements to the user interface.
Creators have longed for the ability to make custom adjustments to the target curve in real time, and with SoundID Reference they can do just that! Also, you can manually select the frequency range that the calibration will be applied to. This is done by using the Custom Target feature. The Translation Check feature in SoundID Reference aims to save creators time and many headaches by realistically simulating a plethora of different devices and device classes. You can now access a library of 20 predefined simulations that will allow you to check your mix in different listening environments without having to leave your studio chair, bedroom, airplane seat, or hotel room.
Sonarworks has also provided a number of updates that will delight every SoundID Reference user. For instance, device and profile presets have been completely reimagined to provide clear structure and hierarchy. The headphone selection has been rebuilt and now provides a very user-friendly way to find and attach a headphone profile to a preset.
SoundID Reference is available today; click here for pricing and further information. A fully-functional 21-day free trial is also available here.
Eventide unleashes the MicroPitch Delay pedal.
MicroPitch Delay is the “secret sauce” heard on countless hit records. The pedal features dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package.
Popularized in the H3000 Harmonizer, MicroPitch Delay allows you to achieve subtle tone fattening, lush stereo widening, rich detuned delays, thick modulation, and tempo-synced special effects. It also features onboard tone controls with mono or stereo operation, MIDI, preset storing, and most importantly a new compact, easy-to-use interface.
The MicroPitch Delay pedal is available now, priced at $279.
Marantz Professional announces the MPM-4000U Podcast Mic.
The MPM-4000U Podcast Mic is a no-nonsense, studio-grade USB microphone designed to make podcasting easy. Engineered for any digital broadcasting application where hassle-free, pristine sound capture is required, the MPM-4000U also comes with recording software so aspiring podcasters are ready to create, right out of the box.
At the heart of the MPM-4000U Podcast Mic is a 14mm pure-aluminum-plated condenser capsule with a directional cardioid polar pattern. It features dedicated controls for headphone monitoring, Mic Gain and Mute, plus a 1/8-inch headphone output—total control of your next stream or broadcast is exactly where you need it.
With the MPM-4000U Podcast Mic, everything you need to start creating your next podcast is included for immediate, out-of-the-box creative potential. With a mic clip for mounting to a traditional microphone stand, a sturdy tripod desk stand, and a USB cable, you will enjoy the freedom to plug in and create from the get-go. Plus the bundled MPC Beats recording software means that you don’t need anything else to get started right away.
The MPM-4000U Podcast Mic is available now, priced at $99.
iZotope announces Spire Pro on iOS.
Spire Pro is a paid upgrade to iZotope’s vocal recording iOS app. Spire Pro gives you access to cutting-edge recording, production, and collaboration features, many of which are built on tech from iZotope plugins like RX and Nectar. Spire Pro is simple to use, so musicians of all experience levels can create release-ready recordings on their phones.
After a 3-day free trial, Spire Pro is available for $4.99/mo or $47.99/yr.
Ultimate Producer introduces Balancing Channels with Tom Frampton.
With Balancing Channels, you’ll balance the mix of twelve songs, covering a range of four genres: pop, rock, hip hop, and house. The starting balance is randomly set each time you load a challenge; it’s your task to adjust the faders to get a well-balanced mix. Your unique balance will be scored out of 100, based on how Tom Frampton approaches the track.
If you don’t pass a level, you’ll be able to preview Tom’s mix, as a reference, and try to match it. If you still get stuck, you’ll get more guidance on how you can improve the balance. With practice, this knowledge will transform your ability to get a pro-sounding balance in your own mixes.
Learn more about Balancing Channels here.
Balancing Channels is priced at £29; there is a 30-day money back guarantee.
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