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MixCon Shorts: Marc Urselli on Setting Up Compressors for Mix Bus, Individual Tracks & More

In this excerpt from the third annual MixCon, Marc Urselli answers audience questions and shows us how he sets up his mix bus compressors, subgroup compressors and individual track effects.

Relying heavily on plugins from McDSP and a few others, he takes us under the hood of his minimalist, “less Read more...

Recording Gotye and the Ondioline Orchestra: A Unique Evening at Sear Sound

Tech excellence is in focus at AES conventions, most recently the 2017 confab that just wrapped in New York City. The showroom floor was packed with advances, while technical sessions and workshops shaped the science of sound.

But the Javits Center wasn’t the only place where engineering expertise was on Read more...

Stephen Marsh on Mastering Music Scores, Movie Soundtracks, and the DC Universe

For over 20 years, mastering engineer Stephen Marsh has been using his golden ears to bring expert detail and focus to hundreds of records, scores, soundtracks, and reissues.

It was a quick decision while working at Taco Bell one evening that determined the New York native’s audio fate. A friend Read more...

Soul and Classical Meet in a Global Collab: Recording Stephen Emmer’s “Home Ground”

When Stephen Emmer holds the stateside launch for his album Home Ground on October 27 at the Virgil in LA, he’ll have done it with a little help from his friends. Make that a lot of help, from a global-spanning roster of star soul singers and musicians who collaborated long-distance Read more...

New Gear Review: Ampeg’s Classic Analog Bass Preamp & Scrambler Bass Overdrive

Bass behemoth Ampeg has always been known for their amplifiers. You’ll find nary a reputable city venue that doesn’t keep some iteration of an SVT in their backline. They’ve been an industry standard since 1969, when the company’s founders set out to build “the biggest, nastiest bass amplifier the world Read more...

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