“Every penny that I’ve ever made went back into audio gear.”
Joe Barresi‘s passion for his work is palpable, and not just in the rows of guitars, amps or stacks of gear you see around his studio in Pasadena. It’s in the way he describes his approach and his craft Read more...
What differentiates the Northside Festival? James C. McKinley of The New York Times gets to the heart of why this Brooklyn music gathering, which begins today, is different. Read the full article here.
Artists performing as part of this year’s Northside Festival include The Walkmen, Black Flag, A Place To Read more...
ALTADENA, CA: Monday morning at 11am is a great time to maneuver around L.A. The freeways leading in and out of the city are abnormally empty, rocketing me from downtown to Pasadena in under 20 minutes. From there it’s about another ten minutes straight up into the hills of Altadena. Read more...
PACE launched a new desktop-based version of their industry-leading license manager late Sunday night. Unfortunately, the new release left some iLok users with a bit more than “Zero Downtime.”
Professionals know to expect some degree of hiccups and incompatibility issues with almost any type of new software launch these days, Read more...
Ableton’s Push is many things, but at its very essence it’s an instrument that’s been created for the electronic musician. Not to say that it can’t be used by a traditional musician or instrumentalist, but it most definitely is an innovative and hugely powerful weapon on the front lines of Read more...
Rob Harari is facing a very different kind of student body.
Standing in front of the newly minted music studio at the Stevens Institute of Technology – College of Arts and Letters (CAL) in Hoboken, Harari – the Technical Director of the CAL Music & Technology Program and an Associate Read more...
Back when I entered the audio program at SUNY Purchase around the turn of the millennium, a bachelor’s degree in “Studio Production” still seemed like something of a novel concept. Since then, enrollments for both 4-year and short-term programs in this once-niche market appear to have exploded nationwide.
Occasionally, engineers Read more...
I’ve been a fan of PSP’s versatile, user-friendly plugins for a while. I think it’s safe to say that at Mason Jar Music, we’ve used the PSP OldTimer compressor on almost every song we’ve mixed.
PSP manages to pair incredibly high-quality processing with simple and thoughtful, yet powerful user interfaces, Read more...
In the last decade, as Manny Marroquin has been cranking out mixes for a growing client-base of pop stars, something has been stirring in the pop music world that is now in full effect. Sonically and stylistically, pop music has been hybridizing with artists embracing wide-ranging influences and sounds, mixing Read more...
On the most recent album I was mixing , I really discovered some incredible uses for the Decapitator, a saturation plug made by SoundToys.
SoundToys had me at EchoBoy which was another go-to plug that I still use every day. The thing that sets their plugs apart from so many Read more...
