Propellerhead Introduces Four New ReFills

Propellerhead has added four new Refills for Reason to its online shop. They are:

Organic House from Sample Magic has been added to the Propellerhead ReFill Store.

Sample Magic Organic House

Pumping house fused with disco, minimal, tribal and techno elements ($59.00). Fusing the underground sounds of pumping afterhours house with subtle disco, minimal, tribal and techno elements, Organic House delivers 870+MB of programmed loops and samples.

This version made specifically for Reason 5 comes with patches for Kong and Dr. Octo Rex.

Sample Magic Electro

Bass, beats, synths, filth, grime, lost-in-basement fx, and washed-out seqs are in SM20 Electro, the new collection from Sample Magic.

According to Propellerhead, “Running the ground between indie-dance and peaktime mainroom filth, Electro takes in the best of techno, Dutch, jackin’ and classic french disco, bending all the rules and mashing every genre along the way.”

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This version made specifically for Reason 5 comes with patches for Kong and Dr. Octo Rex.

Dan Dean Bass Collection — acoustic and electric bass for Reason

From award-winning producer Dan Dean, a very large collection of widely different bass instruments; a combination of Dan Dean Bass Collections 1 & 2, plus more instruments not found on either previous collection, now in Propellerhead NN-XT format for Reason.

The collection includes classic basses from the 60’s and 70’s, recorded both direct and with amplifiers. Amplifier presets include some clipping and overdrive, producing a very realistic sound quality when used in a track. The Dan Dean Acoustic Bass is included in this collection in both Mono and Stereo versions.

Nucleus SoundLab MK Digital Keys — retro keyboard sample library

MK Digital Keys is a retro keyboard sample library by Nucleus SoundLab. It brings the ‘80s keyboard sound to productions with this faithful sampling of the MKS-20 keyboard synthesizer.

With 3.6gb of samples and 50+ patches – MK Digital Keys updates this retro classic for the modern sampler, while removing original limitations like polyphony and noise.

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