Radial Debuts PreComp – 500 Series Combo Preamp, Compressor
Here comes a pro audio peanut butter cup for you.
Radial Engineering has introduced the PreComp, a new 500 series module that combines a preamp and compressor in one single-wide module. In addition to its usefulness for small studios, Radial has designed it with audio post and broadcasting also very much in mind.
Double your pressure — the new PreComp from Radial Engineering.
Shipping begins in May 2013, with an MSRP of $400 USD. Here’s more on this two-for-one wonder, direct from Radial Engineering:
The PreComp is a single wide module, designed to fit the popular 500 series rack format. The design begins with a high performance preamp equipped with Radial’s unique Accustate gain control that simultaneously sets the output and sensitivity to maximize signal-to-noise at all levels. This is particularly important when recording in the digital domain where background noise can often be audible during quiet passages.
A full-feature compressor follows with adjustable threshold, compression ratio and make-up gain control that automatically transitions from soft-knee to hard-knee as compression increases. A simple slow-fast switch makes it easy to set the PreComp for either percussion instruments or smoother tracks such as vocals.
Once connected to a 500 series power rack, I/O connections automatically route to the XLRs for balanced operation. When used with a Workhorse, connectivity increases with ¼” TRS connectors and D-Subs and the Omniport provides direct patching to the preamp or the compressor, enabling the engineer to use each processor separately.
Radial’s Senior Engineer Dan Fraser explains: “The PreComp addresses the need to combine both a preamp with a compressor in a compact, single space module. This provides broadcasters and post production engineers with a quick and easy solution for voice and instrument processing. It is also a Godsend for live recording engineers as it enables them to maximize system density without compromising on performance or control.”
Other features include 180° polarity reverse for phase matching two microphones, a high pass filter to eliminate unwanted resonance, 48V phantom power for condenser mics and an IN/OUT switch that lets you quickly compare the original uncompressed signal with the processed result.
Please note: When you buy products through links on this page, we may earn an affiliate commission.