Join us today for a mixing masterclass with Catherine Marks, a critically-acclaimed mixing engineer and producer who has worked with the likes of St. Vincent, Foals, The Killers, Interpol, Local Natives, Alanis Morissette, Depeche Mode, Blonde Redhead, Natalie Imbruglia, Wolf Alice and many more.
In her MixCon masterclass, Read more...
John Goodmanson is a producer, engineer and mixer who has made his name working with critically-acclaimed artists like Death Cab for Cutie, Sleater-Kinney, Blonde Redhead, Pavement, Blondie and Nada Surf.
Although he’s best known for his work in the indie rock world, this Pacific Northwest-based producer has made occasional forays Read more...
As of yesterday, Eventide’s newest stompbox — Space — is now shipping in North America. As previously reported, Space, features 12 of Eventide’s signature reverb combination effects taken from the H8000FW and Eclipse V4, along with some new Eventide magic.
Space includes 100 presets, featuring presets crafted by Flood Read more...
Recently at Fluxivity, Nat Priest’s Neve 8048-equipped Williamsburg studio…
Matt Mays and engineer/producer Ted Young overdubbed and mixed for Mays’ upcoming album. Young mixed down to Fluxivity’s Ampex ATR 100 analog tape machine.
Blonde Redhead drummer Simone Pace produced sessions for Grammy-nominated vocalist Juan Son, recording and mixing songs for Read more...
MIDWOOD, BROOKLYN: Aggression, experimentation, elevation – need more of that? How about emotion and the thrill of creation – as in the completion of Brooklyn rock strongwoman Tamar-kali’s long overdue full length debut, Black Bottom.
A Catholic school survivor who found herself drawn to the notorious noir of the Brooklyn Read more...
![Mixing Masterclass with Catherine Marks [St. Vincent, Interpol, Foals, The Killers, Local Natives]](http://sonicscoop.com/wp-content/uploads/2022/10/MVI_8611.00_03_32_03.Still006.jpg)
