BOSS has been a ubiquitous name in the pedal world for many years now, as their single-function stomp boxes are as iconic as the riffs they have produced. If you’ve ever played a four or six string instrument through an amp, there’s a good chance your signal was going through Read more...
If you were recording music in 1971 – and had some serious coin to spend on gear – you just might have installed a groundbreaking unit into your studio.
That would be the Eventide DDL 1745 digital delay, which was $3,800 upon launch in 1971, or about $22k in today’s Read more...
PreSonus ships the Quantum Thunderbolt interface.
PreSonus® is now shipping its top-of-the-line Quantum Thunderbolt™ 2 interface. A great choice for a wide variety of recording environments, the 26×32-channel Quantum is the company’s fastest and best-sounding audio/MIDI interface, taking advantage of the high-speed Thunderbolt 2 bus and a direct-to-DAW signal path Read more...
The new DDL-500 from Eventide brings a beautifully strange new addition to the world of a traditionally analog environment. This delay is, at it’s core, digital. But as Ray Maxwell, VP of Sales and Marketing says, “The design goal was to create a digital delay with an analog soul.”
So Read more...
Sigmund, the latest plugin by D16 Group Audio Software, allows both subtle sound-shaping and modulated delays that can completely transform an audio source. Sigmund’s unique assets lie in the routing capabilities of its four discrete delay units.
Each of Sigmund’s four delay units has its own independent set of parameters Read more...
