Coverage of Dolby Atmos has be characterized by one of two things: Hype or Hatred. There seems to be no in between.
Are there real benefits to the format? Is it just a fad, or here to stay?
….Worse yet, is it a threat to independent musicians and producers, as Read more...
Where are you on your immersive music production learning curve?
I had some interesting revelations when I attended a recent all-day event hosted by Mix Magazine at BerkleeNYC Powerstation. “Immersive Music Production” featured speakers and innovators in Dolby Atmos, spatial audio, and beyond, who all had thought provoking insights and Read more...
Ready to immerse yourself in immersive audio?
Producers, mixers, mastering engineers and artists in the NYC area will get a unique opportunity to do just that on Saturday, August 6th at the Power Station at BerkleeNYC.
Immersive Music Production presented by Mix Magazine, will feature an elite lineup of experts Read more...
When Jeff Ellis mixes, the world hears it. And when he talks about Dolby Atmos mixing for spatial audio, studio pros need to listen.
Ellis’ impact spans his Grammy-winning work for Frank Ocean’s Channel Orange, Doja Cat’s Grammy-nominated 2021 album Planet Her, on to The Neighbourhood, Kali Uchis, Snoh Aalegra, Read more...
There’s no time to play catch-up.
That was the mindset behind the expansion of Sonic Union, the prolific NYC audio post facility that launched in Union Square circa 2008. The instincts of co-founders Steve Rosen, Michael Marinelli and Adam Barone proved to be right on about combining top mixing talent, Read more...
