Under the hood of each module in Eventide‘s growing H9 Plugin Series of effects is an algorithm brought over from their H9 Harmonizer pedal platform.
These effects—many of which originated primarily for use with guitar—have translated quite well to the production realm, in my experience.
Some algorithms in the H9 Read more...
As Eventide continues to port algorithms over from their H9 platform to your DAW, I can’t help but continue to dive deeper into what they are calling the H9 Plugin Series. These tools are simple, effective, share a common user interface, and translate surprisingly well to production applications considering their Read more...
API reissues the 312 mic preamp.
The 312 was originally used as the front end of the first API recording consoles. The circuitry of the unit was housed in card cages under the front “kneespace” of these early consoles, with only the gain pot mounted to the control surface. Read more...
Eventide’s classic Crystals effect is now a plugin.
The Crystals plugin by Eventide combines twin reverse pitch shifters with reverse delays and reverb. This iconic H3000 Harmonizer effect can be used to create out-of-this-world climbing and cascading pitched delays or unique sounding reverbs. It features two reverse granular delays that Read more...
I remember the first time I used a micro-pitch effect in a mix. I was mixing a track with a friend of mine who was older, held more jobs in studios, and just flat out had more experience than me. We were taking turns at the helm, about 20 or Read more...
