“Something soulful” – that’s what Bill Brown searches for when he’s composing music-for-picture.
It’s a quest that’s paid off. He was the music man of record for the full nine-year run of “CSI:NY”, SyFy’s “Dominion,” Michael Mann’s All, Oliver Stone’s Any Given Sunday, and a host of hot game titles Read more...
When you meet a pro, you know.
That’s the aura that you get from composer P.J. Hanke — whether you’re experiencing his TV, film, and advertising reel on the screen, or better yet in his custom-built Los Angeles studio.
A performer and producer as well as a prolific composer, Hanke’s Read more...
Documentaries are on the rise in the world of filmmaking, with the number of producers and subgenres all seeing consistent expansion.
The happy result: More opportunities for emerging and established composers to create music for picture. That’s why we’re excited about the upcoming seminar, “The Art of Scoring for Documentaries,” Read more...
