This is a post by Mark Marshall. For more detail on getting authentic-sounding vintage tones, try his new full-length course, Producing and Recording Electric Guitar.
Clearing samples for use in music has become not only a complicated legal process, but an expensive one. So what happens when your production depends Read more...
As new records by Savages, The National, Vampire Weekend, The Flaming Lips and Daft Punk spin on high rotation chez SonicScoop, we’re hearing about so many new projects coming down the pipeline that we thought we’d share in a new column.
Get ready for the details of some buzz-worthy new Read more...
HELL’S KITCHEN, MANHATTAN: Modern music can get shaped by the most unassuming of influencers. David Kahne is one such source: often unseen, but always very well heard.
Spend some time with him, and it’s clear that he always puts sound first. If you’re lucky, you’ll be there when Kahne hears Read more...
PARK SLOPE, BROOKLYN: We know what you’re thinking. You’ve seen this name somewhere before. And not only on the marquee of the Apollo or littered among the best of your old soul 45s: this James Brown‘s engineering credits appear on records alongside iconic producers including Butch Vig, Alan Moulder, Read more...
On the heels of completing the upcoming Foo Fighter’s album Wasting Light, The Lodge Chief Mastering Engineer Emily Lazar and Mastering Engineer Joe LaPorta have been working with a handful of great artists and bands.
Lazar and LaPorta mastered The Pains of Being Pure at Heart‘s new album (out today), Read more...
