Almost every producer, engineer and musician struggles in being able to hear compression at first—sometimes for many years.
Justin Colletti offers a fool-proof strategy for really learning to hear these sometimes subtle differences. It involves limiting variables, and doing a little bit of focused listening.
If you do the exercises Read more...
SPL ships the Gemini M/S processor.
Gemini is a Mid-Side encoder and decoder processor that integrates with SPL’s other 120-volt Mastering Series components, offering even deeper sonic control for the mastering engineer.
Using Gemini, mid signals in the center of the stereo field (such as voice, snare, or bass) can Read more...
Avid announces compact and portable VENUE | S6L control surface.
Avid’s VENUE | S6L unified live sound platform gives sound companies and performance venues greater flexibility to configure the perfect system to meet any production, space, or budget requirement. The new VENUE | S6L-16C is the most compact and Read more...
I am happy to have on the test bench today the latest release from Softube—and the first plugin from digital mastering hardware leader Weiss Engineering—the DS1-MK3.
A collaboration between two major names in digital audio processing, this is the software clone of Weiss’ renowned DS1-MK3 hardware unit, a standard Read more...
When the opportunity to review the Golden Age Project COMP-3A came up, I was extremely excited to get my hands on it. I’m a big fan of the original LA-3A it is based on, and Golden Age has developed a good reputation for producing quality gear at affordable prices so Read more...
![Learn to Actually HEAR Compression [SSP043]](http://sonicscoop.com/wp-content/uploads/2019/10/MVI_8762.00_03_07_17.Still002.jpg)
