AES 2019 is here! Let’s dive right into some of the most notable new offerings we’ve seen thus far, with more to come next week.
API announces the 862 and 2500 50th Anniversary Editions.
Adding to the collection of products celebrating the company’s 50th Anniversary, API is pleased to Read more...
Avid announces the S4 control surface is now available.
The Avid S4 is the latest audio control surface designed for independent music mixers and smaller audio post and music facilities. This semi-modular control surface offers the power, DAW integration, and visual feedback of Avid’s industry-standard S6 in a more streamlined Read more...
I first read about Leapwing Audio‘s DynOne on a blog post penned by Bob Katz. According to the mastering master, this plug-in could get you a few more decibels of level, doing so rather transparently at near-default settings.
I was mastering an EP for Hundred Dollar Girlfriend at the time, Read more...
This week, I give an overview of 3 of the most useful advanced compression strategies, along with some details how to implement them on a variety of instruments.
From parallel compression for drums, bass and vocals, serial compression for instruments and buses, and sidechain compression for making space, these are Read more...
Focusrite Pro releases RedNet Control 2.4.
RedNet Control 2.4 is a free software update that adds Dante Domain Manager (DDM) and AES67/AES70 compatibility, as well as an AES3 Kill Switch function, background mode, and other enhancements.
RedNet Control 2.4 makes all Focusrite Red audio interfaces, plus RedNet devices with Audinate Read more...
![Advanced Compression Techniques: Parallel, Sidechain and Serial Compression [SSP038]](http://sonicscoop.com/wp-content/uploads/2019/09/MVI_9132.00_14_32_13.Still007.jpg)
