There’s still quite a bit of mystery around mastering, even for experienced musicians and engineers. Most know that they’re supposed to master their music—even if they don’t necessarily understand what mastering is really all about.
To put it simply, mastering is technically just the process of making a “master copy” Read more...
This week, Justin Colletti talks about the 80/20 approach to audio engineering: how to focus on the things that matter most and avoid the comforting lies that keep us from making great sounding releases.
He skewers the “Myth of A Thousand Little Choices” and offers a better mindset and a Read more...
In this episode Justin Colletti talks to Manny Marroquin, one of the biggest mixers of the 21st century, about music production and the studio business.
Manny is a multiple GRAMMY winner who has worked with the likes of Post Malone, John Mayer, Imagine Dragons, Lizzo, Whitney Houston, 2Pac, Pink, Shakira, Read more...
Legendary music mixer Michael Brauer joins Justin Colletti to talk all about the art of mixing, and how to overcome the fears that have kept so many mixers—including him—from doing their best work early on in their careers.
From Coldplay to John Mayer to Grizzly Bear, Brauer’s body of work, Read more...
Chain Shaper by Tech Noir is an audio triggered, multi-band sidechain utility that is designed for extreme accuracy.
This Max for Live device, made specifically for Ableton Live, is already being used by many producers like Kill the Noise, Mat Zo, Wuki, Willy Joy, 12th Planet, and Dillon Francis. Using Read more...
![What Matters MOST In Any Mix: The 80/20 Rule In Audio Engineering [SSP #024]](http://sonicscoop.com/wp-content/uploads/2019/06/Screen-Shot-2019-06-13-at-11.14.35-AM.png)
![Studio Business and the Craft of Mixing with Manny Marroquin [SSP #023]](http://sonicscoop.com/wp-content/uploads/2019/06/MVI_8628.00_00_54_21.Still001.jpg)
![Overcoming the Fears of Mixing, with Michael Brauer [SSP #020]](http://sonicscoop.com/wp-content/uploads/2019/05/20190513-1503-Recording.00_00_02_03.Still005.jpg)
