Sear Sound has had a strong spring, with big sessions in their Neve 8038-equipped Studio A, and the sun-kissed, Sear-Avalon custom console-equipped Studio C.
Sting was in Studio C composing and recording with Sear Sound’s 1973 Steinway “D” grand piano. Rob Mathes was arranging and co-producing with Sting. David Shoenwetter Read more...
DUMBO, BROOKLYN: In an era when a record’s “production” often overwhelms its “performances” – for better or for worse – a worthy and well-recorded live performance can sound like a revelation. The newly released, self-titled album by The Poison Tree, a Brooklyn-based project led by former King of France Read more...
A number of interesting artists have been recording at the legendary Sear Sound in Midtown Manhattan — Walter Sear’s legacy of audio excellence lives on!
First, Kim Gordon, Thurston Moore and Yoko Ono are making a record together. And they’ve been recording it at Sear Sound, with Chris Allen engineering. Read more...
THE FIVE BOROUGHS: 2010 has been busy all right. For anyone involved in New York City’s expansive business of music – producer, publisher, entrepreneur, engineer, artist, and many more – the environment remains fast-paced, ultra-competitive and constantly changing.
With 2011 looming, SonicScoop looked for the news, trends and topics that Read more...
Just in from Sear Sound in Midtown Manhattan: Fleet Foxes have been mixing their latest Subpop album in Studio C with producer/engineer Phil Ek.
The band recorded on 2″ 24 track and Pro Tools and mixed down to Sear’s 1″ 2 track J37 Studer in Studio ‘C’. This machine originally Read more...
