In the final part of this three-part series, Justin Colletti and Bob Mallory talk through the daunting task of choosing mics for the home studio, and present some A/B comparisons of a handful of select home studio mics on spoken word and acoustic guitar.
Also be sure to check out Read more...
This story first appeared in Trust Me, I’m a Scientist, October 3, 2011.
Advertisers will have you believe that condenser microphones are the key to quality recordings. In the past, these super-sensitive transducers were the elite of the microphone world and commanded high prices. In recent years, it seems there’s Read more...
Did you miss the 2017 NAMM show? Or did you make it, but find yourself unable to wind through the huge number of new releases on display? Have no fear, we’ve got you covered with our latest photo journal of all the best new pro audio releases.
Floor traffic at Read more...
Over the past 20 years, In Ear Monitors (or IEMs) have become a near-necessity for live performance.
In years prior, engineers would inevitably have to crank up a venue’s stage monitors loud enough for the musicians to hear themselves over the audience, over the sound coming from the stage, Read more...
SonicScoop editor Justin Colletti is back once again at Degraw Sound, partnering up with B&H Pro Audio to put some of the most classic condenser mics through some tests on vocals and guitar.
Singer/Songwriter Wes Hutchinson helps provide side-by-side comparisons of the Shure SM7-b, Sennheiser MD421-II, Electro-Voice RE-20, Shure SM57 Read more...
![Mic Shootout: Classic Dynamic Microphones [VIDEO]](https://www.sonicscoop.com/wp-content/uploads/2016/02/micshootout3far.jpg)