Everything was ideal about the location for mixer Rachel Alina’s studio in DUMBO’s famed Saltlands complex — except the raw acoustics of her room.
Fortunately for Alina, her professional portfolio includes studio design in addition to mixing. She’s also a newly minted Berklee School of Music faculty member, as well Read more...
Listen closely, and you can hear them – an emerging generation of engineers who care deeply about audio.
Among them is Alex Sterling, whose eponymous studio on the Upper West Side is evolving quickly. While the unique live room and flexible output impressed us plenty in a 2012 Sweet Spot, Read more...
This is the second article in a series by Dennis Foley of Acoustic Fields. See “Part 1: Waves and Pressure” here.
In the first part of this 6-part series, I discussed waves and rays of energy. Waves are all energy below 300 Hz. and rays are all energy above. Waves Read more...
The energy that we put into our listening rooms, home theaters, and professional recording studios comes in two main forms. We have waves of energy and we have rays. For purposes of this discussion and illustration, we will label all room energy that is below 300 Hz. as waves and Read more...
The studio design firm Carl Tatz Design (CTD) has announced its new Carl Tatz Signature Series control room acoustic modules by Auralex, known as the CTD MixRoom.
Created with CTD’s award-winning PhantomFocus System monitor tuning protocol, and available through Auralex, the CTD MixRoom emulates the look and performance of Read more...
