Communication is vital in any recording studio, but the separation between the musicians and engineer will strain the conversation without a proper workaround.
Artists often come into the studio ready to bare their souls which can lead to extremely personal, and productive interactions during a session. However, in most studios Read more...
Every month, Matt McCorkle of EqualSonics.com brings you a day in the life of a New York City recording engineer.
THE MISSION: Capture a Jazz Band’s Subway Performance
NYC artist Jonathan Batiste and I had been working together for quite some time before embarking on this latest endeavor. Our most Read more...
NEW YORK CITY: As SonicScoop editor David Weiss states in his Op-Ed story this week, the 2011 AES convention was less about innovation and more about survival. At least on the surface.
Between the most troubled economy since the Great Depression and allegations of fiduciary mismanagement by the AES’ Read more...
“Why are they doing this to me?” “Those greedy bastards.” “Why do they always do this?” These are a just a few of the gems the have come my way since last week’s announcement of Pro Tools HDX and Pro Tools 10.
To address Read more...
When the founders of Eventide attended their first AES Convention, they brought along “a fanciful aggregation of ‘products’ [they] were unable to demonstrate due to the complete lack of any internal electronic components”. This year, they return for their fortieth as one of the most recognizable and long-lived names in Read more...
