Is getting a subwoofer for your studio worth it? The truth is, there’s a right and a wrong reason to get a sub. Justin Colletti gives you a framework for figuring out if you would benefit from adding a sub to your room, or if it will just make everything Read more...
Almost every producer, engineer and musician struggles in being able to hear compression at first—sometimes for many years.
Justin Colletti offers a fool-proof strategy for really learning to hear these sometimes subtle differences. It involves limiting variables, and doing a little bit of focused listening.
If you do the exercises Read more...
Mastering engineer Justin Colletti cracks open the new Ozone 9 to take it for the ultimate test for the first time: Can it stand up to a studio full of great gear in the hands of a real mastering engineer to deliver commercial masters that will thrill clients?
In this Read more...
This week, I give an overview of 3 of the most useful advanced compression strategies, along with some details how to implement them on a variety of instruments.
From parallel compression for drums, bass and vocals, serial compression for instruments and buses, and sidechain compression for making space, these are Read more...
Autumn is approaching in the Northeast, which means soon the sweet sound of falling leaves will gently brush the Javits Center roof.
Inside, the sonics will be even sweeter: The unmistakable tones of the Audio Engineering Society’s (AES) 147Th Pro Audio Convention, taking place in New York City, October 16-19 Read more...
![Learn to Actually HEAR Compression [SSP043]](http://sonicscoop.com/wp-content/uploads/2019/10/MVI_8762.00_03_07_17.Still002.jpg)
![Advanced Compression Techniques: Parallel, Sidechain and Serial Compression [SSP038]](http://sonicscoop.com/wp-content/uploads/2019/09/MVI_9132.00_14_32_13.Still007.jpg)
