In my last post about making money through music libraries, I wrote about the different types of library models, the kinds of deals they offer, and how best to submit your material. If you’re new to the world of library music, it’s a great place to start.
Today, we’ll go Read more...
In this two-part series we’re going to cover music libraries—What they are, how and why to place your music in them, and the kinds of deals they offer. We’ll review how the system works, and what you need to do to collect fees and royalties.
A bit about me: I’m Read more...
On a July night in Los Angeles, heads were swimming at a packed seminar put on by the Production Music Association: “Keys to Building a Successful Library.”
Now New York City-based composers, producers, and all associated music professionals get their chance to absorb up-to-the-minute information on this crucial topic.
An Read more...
The production music business has its rewards and pitfalls – as well as a clutch of colleagues who are willing to share hard-won knowledge.
LA composers, music producers, and the business minds who love them can ruminate with a roomful of top experts at the upcoming Production Music Association (PMA) Read more...
