Ableton Live, in its current form as a fully-functional DAW, has been kicking around for quite a while now, and has gained an impressive following over the years.
If you’re reading this, I’m going to assume that you’ve at least come into contact with Live, so I’ll leave out Read more...
RME has been producing audio equipment for the past 21 years, with an eye on providing open-ended products at a fair price point.
Despite the many affordable options in their line both past and present, RME has been focusing a majority of their latest efforts on crafting new high-end interfaces Read more...
When I began my first forays into engineering and mixing, I recall trying to wrap my head around the different types and aspects of compression. Attack, release, knees—how did it all come together?
With all of that rattling around in my mind, when someone first mentioned the concept of multi-band Read more...
I don’t write a lot of reviews, so when I do, I like to make it about something I have an opinion about. As such, this review of Burl‘s newly-minted conversion card, the BAD8, will take a slightly different shape than normal. The flowery, qualitative side of gear reviews Read more...
When the opportunity to review the Golden Age Project COMP-3A came up, I was extremely excited to get my hands on it. I’m a big fan of the original LA-3A it is based on, and Golden Age has developed a good reputation for producing quality gear at affordable prices so Read more...
